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Mr. Wells the clergyman was of English birth, very conservative and inclined to be shy. He was unusually tall with broad shoulders. Mrs. Wopp once said of him, “When Mr. Wells gits his gownd on, he’s the hull lan’scape.” The deeply pious lady seldom criticized things ecclesiastical; but she had “feelin’s that ef Ebenezer Wopp bed of took to larnin’ like his Mar wished, he’d of looked amazin’ well in that pulpit, better nor Mr. Wells.” It occurred to Mrs. Wopp that the object in question might have been a new kind of singing bird, but “least said, soonest mended.” She would ask Moses if Clarence had ever mentioned it, the very first chance she had. None of the other ladies present assayed to join in the conversation, so perhaps most of them also were mystified. Airs. Wopp looked hard at Nell Gordon. Of course she knew what Mrs. Mifsud meant, but she seemed completely absorbed in turning a difficult corner in the quilt. A welcome interruption occurred. “Yeh, we went to the shootin’ gallery, an’ the amuseum, an’ got inter a little square cage an’ shot away up to the top of an orful high buildin’ an’ got a sparrer’s eye view of the city.” The Bennetts’ was one of the oldest places in town, and the most beautiful. It was near the heart of the growing village ambitiously calling itself a city. Level lawns protected by high hedges and shaded by many trees, spread amply around the house and back to the first terrace, where a tangle of berry vines covered trellises that shut off a lower level devoted to vegetables. Beyond this was the chickens’ domain, rock-dotted acres that sloped sharply to where Runa Creek boiled over its stony bed. Here mother hens fluttered and scolded while web-footed broods paddled in the edges of the stream..